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- Artby - Amy Eisenberg (5)
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- October 12, 2008: Official notice evidence of discrimination against Tibetans after protests
- October 12, 2008: Ten dead and more injured in central Tibet earthquake
- October 12, 2008: Holding Electronics Industry Responsible
- October 11, 2008: Companies Commiting War Crimes
- October 10, 2008: Jews Never Exiled
- October 10, 2008: Preparing Humanity
- October 9, 2008: Defending Democracy
- October 9, 2008: No Silver Lining
- October 8, 2008: United Irish
- October 8, 2008: Secession Campaigns
Sacred Space
I have often marveled at writers who could create beautiful stories from adversity–powerful works of art exhibiting the dignity of creativity under duress. I have also often wondered if guardians of this sacred space, those who protect it from wrathful oblivion, can ever fully enter it without the sense of an outsider observing from a nearby plateau. I suspect the protectors would do well to accept their fate, taking satisfaction in the space created for art, and knowing the artists and their work.
As a guardian, I can see the beauty in the choreography and narrative of creating this space, yet fail to see how to express this other than in the acts of doing so. Some are more gifted than I.
Yet, the patterns and relationships that emerge from collaborations in protecting sacred space reflect a harmonious arrangement of vital if not visible dimensions. Depending on awareness, this visibility of the symbiotic relation between useful art and its protectors can be preserved in archival creations often unimagined outside sacred societies. Communicating this story is not easy.
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